About

The Beckett Review is the official publication of the Samuel Beckett Society. Founded in 2025 to continue and develop the work of the Beckett Circle, it aims to inform and connect the growing, geographically diverse audience of those interested in the work of Samuel Beckett. The Beckett Review commits to hearing from as wide an... Continue Reading →

Refracted Sound: Samuel Beckett’s Quad I + II and Morton Feldman’s For Samuel Beckett, Queen Elizabeth Hall, Southbank Centre, London

Jack Sheen: conductor (For Samuel Beckett), and co-director (Quad) Rowland Hill: co-director (Quad) London Sinfonietta with members of the Royal Academy of Music’s Manson Ensemble. Dancers (Trinity Laban students and alumni): Kaya Blumenthal-Rothchild, Sandy Hoi Shan Yip, Mary Sweetnam, Timea Szalontayoya Friday 29th November, 2024 Review by Catherine Laws ‘Refracted Sound’ paired Samuel Beckett’s Quad... Continue Reading →

Waiting for Godot, Theatre Royal Haymarket, London

Directed by James Macdonald  Featuring Ben Whishaw (Vladimir), Lucian Msamati (Estragon), Tom Edden (Lucky), Jonathan Slinger (Pozzo), Luca Fone/Alexander Joseph/Ellis Pang (Boy) Monday 23 September 2024  Review by Rosaleen Maprayil Beckett’s plays are often staged at moments of crisis. Waiting for Godot, a work that is shaped by Beckett’s experiences of war, has been subject... Continue Reading →

Ashland Beckett Shorts, Ashland, Oregon

Directed by Octavio Solis Featuring Amanda Moody (Not I), Dee Maaske (Rockaby), Steven Sapp (Krapp’s Last Tape), Puppeteers for Fears (What Where), James Donlon, Alina Cenal, Angel Villalobos (Act Without Words II), Quartet Nouveau (Imagination Dead Imagine) October 24 to October 27 2024 Review by Geoff Ridden The writer and director Octavio Solis has a... Continue Reading →

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