Translated, performed and directed by Pablo Finamore Lighting design by Leandra Rodríguez Sound design by Nicolás Diab Sunday 11 May 2025 Review by Alicia Nudler In Argentina, where almost all of Beckett’s plays and several of his non-dramatic texts have already been performed, it is the first time this novella has been adapted for the... Continue Reading →
Images of Interruption: ‘Worstward Ho’ and the Saudi Reader.
By Amjad AlShalan In this brief piece, I seek to offer a side of the reception of one of Beckett’s writings that is not often stressed in Beckett’s scholarship: the reception of his texts from a Saudi perspective. Throughout my PhD years, I was frequently asked how I came to know about Beckett after learning... Continue Reading →